Evaluation

My initial brief for this project was to make a short film, about 3-5 minutes long. I was told I could use anything from a wide range of styles, including cartoon animation, stop motion animation, or real life. I chose to use real life as I think my skills using pictures or clay or computers are limited, so I would have a wider range of things I could do, and a bigger scope of ideas I could work on. It also meant that the filming process was faster; so I would have more time to edit my film, and give it a smoother more professional feel. I think a good example of this is the short sequence when the main character is in the kitchen making a cup of tea. It is a 45 second sequence made of several short clips, this was easy to film once I had planned everything I wanted in the sequence. And because I did not have to spend more than 45 minutes filming it, I had plenty of time to edit it to a finish I was completely satisfied with. The end result is smooth, quick, and gives the impression of time passing by without us having to actually experience the wait. This is exactly what I was going for.
I had originally intended to make a film about boredom, and everyday routine. And while I was making it I realised that the song ‘Sunday Morning’ by The Velvet Underground would fit perfectly. It does so because it has the same slow, soft drawn out feel as my footage, and the lyrics (if taken literally, ignoring the underlying drug context) were in fact about the boredom of a Sunday morning. For research I listened to a lot more of The Velvet Underground’s work, and started to discover their surreal edge in songs like ‘Venus in Furs’ and ‘Heroin’. For this reason I decided to put a surreal twist into my film.
The sequence in which the main character walks up stairs and levitates the magazine towards him was the most surreal part in my film; it also took the longest to shoot. This is because to do it I had to film myself walking down the stairs backwards, after dropping the magazine at the top, ten playing it backwards gave the illusion that I was walking up the stairs forwards, then elevating the magazine towards me. This trick was originally used by Charlie Chaplin, who invented many camera tricks.